China's Warhol Gets Dirty
by Christina Larson, Foreign Policy, 08/04/2010
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Artist's Pointed Critique Is Barred From Beijing
by David D’arcy, Wall Street Journal, 08/21/2008
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New China New Art
by Richard Vine, published by PRESTEL, New York, 2008
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Zhang Hongtu: The Art of Straddling Boundaries
by Jerome Silbergeld, Lin & Keng gallery, Taipei, Taiwan, 2007
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Over the Boundaries: Recent Works by Zhang Hongtu
by Zhijian Qian, 2007
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Encyclopedia of Asian American Artists
by Kara Kelley Hallmark, published by Greenwood Press, Connecticut, 2007
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Asian Art History in the Twenty First Century
edited by Vishakha N. Desai, published by Sterling and Francine Art Institute, 2007
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Breakout
by Melissa Chiu, published by Charta, Milano, 2006
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Art in Review, Zhang Hongtu
by Holland cotter, New York Times, 04/29/2005
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Through Ink and Brush, A Melding of Traditions
by Benjamin Genocchio, NY Times (NJ) 05/04/2003
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The Forgeries Are The Real Thing In This Exhibition
by Benjamin Genocchio, NY Times (NJ) 04/13/2003
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Art Exhibition Offers New Perspectives on Familiar Works
by David Marcus, Princeton Alumni Weekly, 03/26/2003
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A Landmark Retrospective Celebrates Chinese Artists Experiments
by Erik Eckholm, NY Times, New York 11/25/2002
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Gendering the International
edited by Louiza Odysseos and Hakan Seckinelgin, published by Palgrave Macmillan, New York, 2002
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James Hartithas’review on Zhang Hongtu’s new Shan Shui painting
“AJITA” exhibition at the Station, Houston, Texas, 2002
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NY Art Imitates Queens Life
by Corey Takahashi, Newsday, New York, September 20, 2002 |
A Pluralist Exhibition in the Plural Borough
by Ken Johnson, New York Times, New York, August 23, 2002 |
Drawing on East and West
by Jennifer A. Weyburn, Yale-China Review, New Haven, Conneticut, 2002
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Zhang Hongtu's Alternative History of Painting
by Jerome Silbergeld, Zhang Hongtu, an On-Going Painting Project, On-Going Publications, New York, 2000
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Breaking Free, Flying High---Zhang Hongtu's Journey from Maoist to Modern Art
by Alexa Olesen, virtualchina.com, December 1999.
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TRANSIENCE Chinese Experimental Art at the End of the Twentieth Century
by Wu Hung, Smart Museum of Art, University of Chicago, 1999
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Streetlife CHINA
by Michael Dutton, Cambridge University Press, United Kingdom, 1998
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Review of “Reflections Abroad: The Journey of Zhang Hongtu 1982-1996”
by Jonathan Goodman, ARTAsiaPacific, Number 15, Sydney, 1997
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“Hong Kong 1997” – T-Shirt Designs by Zhang Hongtu
by Wu Hung, Public Culture, University of Chicago, Illinois, 1997
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Reflections Abroad: The Journey of Zhang Hongtu, 1982-1996
by Judith A. Whitbeck, exhibition brochure, Anthony Giordano Gallery, New York, 1996
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A Painter’s Images of Mao as Reflected in a Changing China
by Helen A. Harrison, The New York Times (LI), November 10, 1996 |
Shades of Mao
by Geremie R. Barme, M.E. Sharpe, New York, 1996
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The Significance of a Bagel
by Lee Hui-Shu, the catalogue of Zhang Hongtu's exhibition at Hong Kong University of science and Technology, 1996
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Art meets science in bold exhibition
by Denise Cheung, South China Morning Post, Hong Kong, May 9, 1996 |
Zhang Hongtu at The Bronx Museum of the Arts
by Jonathan Goodman, Asia-Pacific Sculpture News, Hong Kong, Winter 1996 |
Statements From The Chinese, After Tiananmen Square
by William Zimmer, The New York Times (CT), November 6, 1994 |
Mandate of Heaven
by Orville Schell, Simon & Schuster, 1994
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Exhibition Review
by Alice Yang, Asian Art News, Hong Kong, March/April 1994 |
Censored!
by Edward Lin, Transpacific, June 1994
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Zhang Hongtu
by Lillian Zhu, Destiny (NYU) Asian Voices, Volume VII, 1994
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Days with Art
by Arlene Raven, The Village Voice, October 5, 1993
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Changing Cultures, the Immigration of Chinese Artists to the U.S.,
by Gail Levin, The Magazine for Contemporary Art, May/June 1992, Prague, Czech.
Asian Art News, September/October, Hong Kong, 1994 |
Once Again Long Live Chairman Mao
by Orville Schell, Atlantic Monthly, December 1992
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Ambivalent Icons
by Jonathan Hay, Orientations, Hong Kong, July 1992 |
New Ghosts, Old Dreams
by Geremie Barme and Linda Jaivin, Random House, 1992
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Chinese Works Bound and Unbound for Glory,
by Jerry Tallmer, N.Y. Post, May 10, 1991
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Tiananmen show Gutted
by Luis H. Francia, The Village Voice, July 31, 1990
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The New Chinese Painting 1949-1986
by Joan L. Cohen, Harry N. Abrams Inc., 1987 |
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